|
Literature of the Vietnam War Dr. Susan Farrell
|
|
|
This course examines a wide variety of artistic responses to the Vietnam War. We will read and discuss memoirs, novels, short stories, and poetry arising out of the war. We will also watch and analyze four Vietnam Warfilms. We'll examine these works in both the historical context of the warand in the literary and aesthetic context of late twentieth century America. |
Coursework:
Required work for the course
includes careful reading of all assigned literature,attentive watching
of the four assigned films, attendance at at least three outside events
during the semester, and active participation in class discussions and
class bulletin board. Please come to class prepared with questions
and comments about the assigned reading or discussion topic for each day--the
success of the course depends on your involvement.
Twice during the semester,
you will be required to read your e-mail response out loud in class as
a way to provoke class discussion. You will sign up for days to do
this at the beginning of the semester.
Your final grade will be determined according to these percentages:
Regular attendance and participation are requirements to pass the course. You may take 3 absences without being penalized (although I don't recommend it--it's best for you to be in class every meeting). I don't distinguish between excused and unexcused absences, so you should save your absences for when you're really sick or out of town. For each absence over 3 (for any reason--excused or unexcused), I will automatically subtract 3 points from your final course average. You are responsible for all work covered during your absence. Don't come to my office and ask what you missed. Find out from a fellow student.
Late papers will be penalized five points for each day or fraction of a day they are late. Late e-mail responses will not be accepted.
Make-up exams will not be given except in rare circumstances when the student has documentation to prove a serious accident or illness. If at all possible, you must notify me in advance when a make-up exam is necessary.
All work submitted must be your own. You may discuss writing assignments and prepare for tests with your classmates (in fact, I strongly encourage you to do so), but all that you write should be yours. Incorporating others' words or ideas in your essays without proper acknowledgment, or any other form of academic dishonesty, will result in an "F" for the entire course.
Read at least the portions
of the books listed before coming to class on the dates below.
| January | ||
| 10 Th. | Course Introduction | |
|
|
||
| 15 Tu. | The Norton Book of Modern War |
|
| George Herring |
|
|
| 17 Th. | Tobey Herzog |
|
|
|
||
| 22 Tu. | Philip Caputo |
|
| 24 Th. | Philip Caputo |
|
| 29 Tu. | Michael Herr |
|
| 31 Th. | Michael Herr |
|
| February | ||
| 5 Tu. | Michael Herr |
|
| Michael Cimino (director) |
|
|
| 7 Th. | Le Ly Hayslip |
|
| 12 Tu. | Le Ly Hayslip |
|
|
|
||
| 14 Th. | Yusef Komunyakaa |
|
| 19 Tu. | Yusef Komunyakaa |
|
| 21 Th. | Francis Ford Coppola (director) |
|
| 26 Tu. | Tim O'Brien |
|
| 28 Th. | Tim O'Brien |
|
| March | ||
| 5 Tu. | Spring Break | |
| 7 Th. | Spring Break | |
| 12 Tu. | Tim O'Brien |
|
| 14 Th. | Mid-Term Exam | |
| 19 Tu. | Tim O'Brien |
|
| 21 Th. | Tim O'Brien |
|
| 26 Tu. | Tim O'Brien |
|
|
|
||
| 28 Th. | Tim O'Brien |
|
| April | ||
| 2 Tu. | Tim O'Brien |
|
| 4 Th. | Robert Olen Butler |
|
| 9 Tu. | Robert Olen Butler |
|
| 11 Th. | Oliver Stone (director) |
|
| 16 Tu. | Bobbie Ann Mason |
|
| 18 Th. | Bobbie Ann Mason |
|
| 23 Tu. | Stanley Kubrick (director) |
|
| May | ||
| 2 Th. | Final Exam, 8-11 a.m. | |